While it may be obvious, the number one thing you can do in your practice to avoid infringement claims is not to copy any prior work. This simple rule can avoid 99 percent of infringement claims.
Avoid non-virgin development. If you are the second or third design professional working on a development, or if your client is the second or third developer on a piece of property, you can be assured that there are disgruntled prior participants who may be inclined to push the boundaries in claiming copyright infringement. You should assume that those prior relationships ended less than amicably.
Where there is animosity baked into the project, there is enhanced danger. In addition, designing for a specific site when others have previously done so increases the likelihood that the constraints imposed by the site, the applicable codes, or the permitting and industry practices will increase the potential of overlapping design elements.
While these elements are not copied or ultimately copyrightable, they can be used by a disgruntled prior participant to claim infringement. Every infringement suit requires a plaintiff who is ready, willing, and able to take the extraordinary measure of retaining an attorney and filing suit.
The easiest thing you can do to avoid this enhanced risk of being accused of infringement by pre-disposed potential plaintiffs is to just avoid such projects. Always ask yourself if the narrow profit margins you charge are worth the substantially increased risk. Avoid access to prior design work.
If there has been any prior design work done for a piece of property or for the client in general, avoid it like the plague. Do not pull prior plans. Tell your client not to send you anything that was done prior to your involvement.
If they try to give you something, politely ask what it is, do not look at it, and refuse to accept it or return it unreviewed with a clear statement as to its status.
Limit the information you gather for your work to the greatest extent possible. Document what you saw. You cannot be found to have copied something if you never saw it in the first place. So, what music can you use on YouTube if you want to avoid copyright infringement while still making kick-ass content? You can try royalty-free music from their own library and other sites or else grab production music or chart music from sites like Lickd.
To help creators with the problem of how to avoid a copyright claim on YouTube, some music libraries agree to license music on a royalty-free basis. YouTube has a library all of its own that lets you tap into a huge database of royalty-free music.
You just need to add it to your YouTube videos directly from their library. Read more with this comprehensive guide to the YouTube Audio Library. In fact, we have one of our own at Lickd that offers an extensive selection of hand-picked tracks. Not sure where to start looking? Try out sites like:. The great news is that royalty-free music libraries can give you access to tracks for other platforms too. You can grab royalty-free music for Instagram or royalty-free tracks for Facebook easily too.
While traditional royalty-free music libraries can be helpful, they often provide unknown background music. For example, PremiumBeat offers a wide selection of user-submitted music. While stock music certainly serves a purpose, sometimes you want to differentiate your videos with a hit song.
By far the safest way to avoid copyright infringement and strikes is to only use your own content on YouTube. Officially licensing your music is by far the best way to add music to your content safely.
Lickd is the holy grail for big-name music for content creators without worrying about copyright infringement on YouTube. Unlike standard music libraries, Lickd has popular music people will recognize in an instant, giving your video an extra boost. Get copyrighted music from the biggest artists at affordable prices and avoid breaching copyright law.
Pay by the song for ultimate flexibility. As a result, businesses tend to take a casual approach in their use of works which they find online. The fact that works are freely available on the internet does not mean that they are free to copy, adapt and share. Treat works which have been published in electronic format in the same manner as you would handle those reduced to a tangible format as they are subject to the same legal principles.
Taking a strict approach to your use of works found online may be cumbersome but will assist you in avoiding copyright infringement. Do not assume that because a work is freely downloadable then it is free to use. Do not copy, share or alter without seeking permission. The first step in obtaining permission to use a copyrighted work is to identify the author of the work for purposes of contacting them to discuss the use of their work.
It is advisable to put in writing any agreement reached regarding any fees payable and the purpose for which the work shall be used.
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